In the pastel one, the contrast between the silver and blue and the warm tones on the right you aimed at does come across. And I really like how you positioned Rian with her harp in the entrance and Turin down by the stream. I cannot see the riders on the bridge very clearly, admittedly, but I do get a vivid impression of forward movement and waving banners!
In the more detailed pencil drawing, Fingon seems to be riding more slowly and also is probably looking more solemn than he did in the pastels. I can see how it might be Turin's perspective--looking up, he first sees the horse looming and looking at him and Fingon looming above that....
I like the others, too--the geese are fun, and Marion's hair is good and the sails of the ship.
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timeasmymeasure
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Date: 2016-09-17 08:35 am (UTC)In the pastel one, the contrast between the silver and blue and the warm tones on the right you aimed at does come across. And I really like how you positioned Rian with her harp in the entrance and Turin down by the stream. I cannot see the riders on the bridge very clearly, admittedly, but I do get a vivid impression of forward movement and waving banners!
In the more detailed pencil drawing, Fingon seems to be riding more slowly and also is probably looking more solemn than he did in the pastels. I can see how it might be Turin's perspective--looking up, he first sees the horse looming and looking at him and Fingon looming above that....
I like the others, too--the geese are fun, and Marion's hair is good and the sails of the ship.