bunn: (George Smiley)
I made these for Remix Revival: an art remix for the short story Maybe Just Living. It was nice to have an excuse to paint some Oxford scenes, though it's surprising how hard it is to find reference photos for Oxford scenes that are not quite the typical picture-postcard. I had to paint the Trinity gates from the Google streetmap image and try to make up the lighting in my head from memory. I thought there would be loads of photos of Broad St at night, but no, apparently not.
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bunn: (George Smiley)
I haven't finished reading this yet, but I already know it's going to be the kind of book where I just want to read out random passages to strangers, so here is a bit I liked:

"To the lawyer, truth is facts unadorned. Whether such facts are ever findable is another matter.  To the creative writer, fact is raw material, not his taskmaster but his instrument, and his job is to make it sing... Was there ever such a thing as pure memory?  I doubt it.  Even when we convince ourselves that we're being dispassionate, sticking to the bare facts with no self-serving decorations or omissions, pure memory remains as elusive as a bar of wet soap."

This is so true.  I don't remember actual stuff that happened.  I only remember the story I told myself about it afterwards.  It's a way better story, anyway. Internally consistent, people have motivations that make sense, it's just so much better than the primary world.

The first chapter is titled "Don't Be Beastly To Your Secret Service"  and is mostly about people working for MI5 and MI6 ranting at spy-thriller writers.  It amused me enormously, and here is a randomly selected line, about his experience at MI5:

"Spying on a decaying British Communist party twenty-five thousand strong that had to be held together by MI5 informants did not meet my aspirations."

Or, on British Intelligence in general "I would guess there is not a spy agency anywhere in the Western world that has enjoyed more mollycoddling from its domestic media than ours. Embedded scarcely covers it. Our systems of censorship, whether voluntary or imposed by vague and draconian legislation, our skills in artful befriending, and the British public's collective submission to wholesale surveillance of dubious legality are the envy of every spook in the free and unfree world."

He contradicts himself a bit, but I find him too hilarious to care.

Oh drat, some LJ change has disabled my 'all power corrupts but we need electricity' tag for being too long.  ALAS.
bunn: (George Smiley)
I finally got around to watching the fairly recent movie version.   But I'm not honestly sure that I was able to assess it on its merits.   I loved all the little book-details  - Smiley's house seemed about right - though I didn't spot the Dresden shepherdess - and the Circus, and the late Sixties/early Seventies phonebox, and Mendel's bees and everything made of strange old plastics.  It maybe wasn't all shabby enough. I'm sure the Seventies was shabbier, and the Tinker Tailor Seventies certainly was.   But it worked as a more-stylish better-maintained Seventies.

But there is So. Much. Plot that gets whizzed through in the last montage sequence!  Can't help wondering how many people watching the story for the first time worked out what was going on with Tarr in Paris, and why Haydon was killed, and I wish they could have given a little more time to the faithless beautiful Ann.

Ricky Tarr was great, and unexpectedly, so was Connie Sachs - in fact, I wish they'd let her do a bit more with the part.   Benedict Cumberbatch a little disappointing as Guillam, I thought - too young, and he made Guillam's nerves too obvious: Guillam is supposed to be good at his job!  I think a more subtle actor could have done that better.   Colin Firth made a great Haydon though. Very appropriately magnetic but also dodgy.

Still. Le Carré!  Hurray! 

Some books

Sep. 29th, 2013 10:31 pm
bunn: (dog knotwork)
A Bloody Field By Shrewsbury - Edith Pargeter : a deeply unfair and biased review by [livejournal.com profile] bunn.
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Our Game - John le Carré
This is another of le Carré's books about belief, which I think in the end is what his Smiley books were about too...Read more... )

Wine of Angels - Phil Rickman
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The Lost Prince - Frances Hodgson Burnett
Read more... )

Currently reading: Fire & Sword by Louise Turner, aka [livejournal.com profile] endlessrarities :-)
bunn: (George Smiley)
I heard a trailer for some event where John le Carré was speaking, in which he said that one of the odd things about Britain is that the majority of people, if they are asked by British Intelligence 'can we come in and use your upstairs, we can't tell you anything about it' will, if reassured the request is genuinely from British Intelligence, say 'yes'.

He felt this demonstrated a national temperamental bias towards the conspiratorial, and towards the patriotic.

[Poll #1934265][Poll #1934265]

Oh drat, I meant to ask if you thought it was odd to say 'yes'. 
bunn: (George Smiley)
A tenet of my belief is that there is no situation which cannot be interpreted in or illuminated by the light of
1) Le Guin
2) Le Carré
3) Scott Adam's Dilbert cartoons
4) and occasionally Tolkien.

It's a somewhat eclectic set of reference works for life, I am aware...

On this occasion, I am reminded of this useful scene from Le Carré's 'Call for the Dead'. )

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